Introduction

The Ingredients of Great Photographs

Great photographs share certain qualities. Good composition is an important part of what makes an image work, but it is only one part.

There are many other qualities that can contribute to a successful photograph. Throughout this site, I refer to these qualities simply as ingredients.

By becoming more aware of these ingredients, photographers can learn to recognize them while making photographs and while editing their work. The examples on this site offer an opportunity to practise spotting these ingredients in photographs — and, in doing so, to better understand what makes an image work.

Overview of the Ingredients

  1. 1.

    Simplicity

  2. 2.

    Thirds Grid

    Subject matter is arranged along the lines of the thirds grid or at their intersections.

    Diagram of the thirds grid: two vertical and two horizontal lines with their four intersections marked
    The thirds grid — lines and their four intersections.
  3. 3.

    Balance

    Dominant elements are arranged in a balanced way within the picture space.

  4. 4.

    Tonal Balance

    Elements of similar brightness are balanced within the image.

  5. 5.

    Horizontal Lines

  6. 6.

    Vertical Lines

  7. 7.

    Diagonal Lines

  8. 8.

    Leading Lines

  9. 9.

    Shapes

    One or more shapes guide the eye around the image.

  10. 10.

    Patterns

    Patterns dominate the composition, though they need not be perfect.

  11. 11.

    Symmetry

  12. 12.

    3D Illusion

    A sense of depth or perspective.

  13. 13.

    The Unusual

    An unusual subject or an unusual visual treatment of a subject.

  14. 14.

    Interesting Lighting

    Often involving selective lighting.

  15. 15.

    Visual Impact

    The “wow” factor.

  16. 16.

    Emotional Impact

    A strong emotional response to an image.

  17. 17.

    Nature Story

    Very common in nature and landscape photography. Nature includes not only living subjects, but anything clearly part of our natural universe.

  18. 18.

    Colour Echo

    The colour of a subject is repeated elsewhere in the image, such as in the background.

  19. 19.

    Complementary Colours

    Colours opposite one another on the colour wheel, such as red and green, purple and yellow, or orange and blue.

  20. 20.

    Use of Negative Space

    The creative use of empty space around or between subjects.

  21. 21.

    The Mysterious

  22. 22.

    Tension

    Created, for example, by a fierce subject, crossing diagonals, or an ambiguous composition.

At first, recognizing ingredients may be a challenge. But with some practice you will get better. And they will become a precious part of your eye for beauty.